This originally appeared on my blog about the recession at shareable.net
I’m at a café right now that’s across the street from a vacant office building. The low-slung seventies-contemporary structure used to house our family dentist’s business. Today, parked in strategic places around it, are several fire trucks standing sentry while firefighters navigate the drama of the flames licking the charred window frames. Great eructations of dark brown smoke take cumulus form for a two-block radius. I think it’s called a “controlled burn,” though I associate that with forests and greenways. This is practice for the rookies. I’ve been watching. The building is maintaining structural integrity, though the interior is a black maw.
For the past couple of years, I’ve been writing what I guess amounts to a Confessional Blog here on Shareable. What’s included in my writings, with a tip of my hat to this website that gave me my start, is the concept of sharing. Mostly the ways in which sharing–community exchange, connections, and support networks–has addressed the value of combined resources and collaboration during these hard times. What my writing evolved into, slowly over time, was a continuation of our family’s story, including successes, poor decisions (and the occasional good ones), and strokes of crazy luck that came our way.
This epoch has been a watershed one for my family. We lost so much, let go of so many things we had gained and built over time. Things we were praised for, by our extended families, bosses, friends and neighbors. We released it all. And yes, in the process of rebuilding, things took different form. The sharing habits took hold, and made community a critical part of our new way of doing things, so much so that I don’t remember how to go back to an insular existence. We hope to always live this way now: a lifestyle that involves reuse, repurposing, childcare exchange, car sharing, donating, barter, and a much wider net cast out among the people we count as neighbors and fellow travelers.
These are all good things. But aspects of my family’s life are changing in ways that dilute my message here, I’m afraid. We have climbed out of the deepest part of the pit and, with the support of my publishers, readers, husband’s raises, etc. we are no longer at the scariest part of our own suffering. The recession is still aflame and many are dealing with struggles far greater than ours ever were. It feels disingenuous to write any longer about the sacrifices we are making to stay afloat. We can pay the rent, I’m getting some writing work, we have health insurance. Our lives are full of abundance and luxury, even as the concept of “luxury” has taken on different meanings for us. (No amount of money can buy the experience, for example, of gathering eggs still warm from the coop and turning them into an omelet using spinach from the garden out front.)
We own a few fancy electronic gizmos. We still don’t have a car. We have no air conditioning, but Molly has dance classes and I get the occasional manicure. We’re not hurting, and I don’t want anyone to think we are pretending to be. I wrote a piece for a national magazine that was recently published, and awakened the very next day to a bombardment of hate mail in my inbox. Apparently some of the choices we have made during these strange, scary, wonderful years trigger great anger in some readers. I never intended to write a how-to for surviving the recession, and I certainly never thought I was writing a manifesto for living the Simple Life. But this has been a blog about sharing, and now it’s more about sharing my thoughts, personal history, internal struggles, strengths and weaknesses.There are ways I’ve become a better person, but loads of ways I remain beholden to avarice, lassitude, ego, and stubbornness. I drive myself crazy. It’s always a mountain to climb, this journey of self-knowledge and self-improvement. If any of you out there really feel you are Where You Need to Be in your heart and mind, I would love to study at your feet.
And no, none of this can be fixed by a Choco-Taco. I speak from experience.
So from my vantage point at the café window, the “caution” tape has been strung festively around the burning building. I can see that the structure is still intact, and it seems the firefighters have done their job at controlling the flames. But that building will never be the same. Even if they don’t knock it down (as I suspect they will), the burn has done its damage. All of us have experienced this destructive fire, and some are boarding up the gaping holes with plywood and spray-painted X’s. I am choosing to leave it all open, doors and windows. The ceiling beams are craggy, and even though burned (maybe especially because of it), they smell like the power contained in the trees from which they were hewn.
By request, a consolidated list of published pieces:
Huffington Post, May 10, 2012: “The President Recognizes My Family” http://www.huffingtonpost.com/corbyn-hightower/marriage-equality_b_1505784.html
Huffington Post, May 21, 2012: “My Husband Had a Vasectomy and All I Got Was This Lousy T-Shirt” http://www.huffingtonpost.com/corbyn-hightower/husband-vasectomy_b_1495617.html
More Magazine, May 2012: “Broke But Not Broken” http://www.more.com/broke-not-broken-finances-post-recession%20
NYTimes “Motherlode” blog, April 7, 2011: “Feeding Your Family From a Dumpster” http://parenting.blogs.nytimes.com/2011/04/07/feeding-your-family-from-a-dumpster/
NYTimes “Motherlode” blog, June 15, 2012: “Memories of a Father’s Rage” http://parenting.blogs.nytimes.com/2011/06/15/memories-of-a-fathers-rage/
Scary Mommy blog, August 9, 2011: “These Chickens, This Life” http://www.scarymommy.com/these-chickens-this-life/
Yes! Magazine, Sept. 2011: “Living Right on the ‘Wrong’ Side of Town” http://www.yesmagazine.org/new-economy/living-right-on-the-wrong-side-of-town
Yes! Magazine, Spring 2012: “Renting With Style: How I Found Bliss in a Creaky Old Rental” http://www.yesmagazine.org/issues/making-it-home/renting-with-style
shareable.net recession-living blog: http://www.shareable.net/users/corbyn
My husband is the introverted type, so out of respect for his privacy, I’d like to talk to you about his vasectomy.
We put it off longer than we should have. I guess the ideal time might have been between baby no. 2 and baby no. 3, but we’re super happy with the one that slid underneath the closing door, all Indiana Jones-style: “Waaaaiiiiit you have one moooore!” But at some point you have to just make the arbitrary decision that you’re done meeting new offspring.
So we finally made the call that it was time to turn the spigot off. An informal survey revealed that getting a vasectomy was the birth control method of choice among the vast majority of older parents in our circle. It’s minimally-invasive, complications are rare, and (who knew?) our insurance covered it. Seemed as though the only prerequisite was a few days’ freedom to convalesce on the couch and several bags of frozen peas.
We described the procedure to our children, the youngest of whom is five, figuring they’d naturally wonder what was going to make Daddy walk around the house in a half-crouch in a Vicodin-created fugue state. We spent some time describing the vas deferens, and the special seeds that help Mama’s egg become a baby, carefully playing up the benefits (no additional sibling rivalry!) and downplaying the discomfort (it won’t hurt more than getting a shot).
Yet still, the very next time I brought my youngest, Molly (who’s five) out in public, she announced to any and all within earshot: “My daddy’s getting his penis cut off.” I protested with nervous giggles the first few times, but after awhile took great satisfaction in merely raising my eyebrows and glaring silently.
In honor of the procedure, my husband’s coworkers served two types of cheese balls with carrots and celery sticks, artfully arranged. Oh: and mixed nuts.
I kind of assumed I’d be on The Pill until menopause rendered my womb a windswept desert nurturing nothing but a bleached rock outcropping and occasional tumbleweed, but lo! Verdant and lavishly fertile, and already relieved of the threat of childbearing. It’s a medical miracle.
I’d like to chalk up the following unsuspected side effect to the array of painkillers my husband was on when he came home from the surgery: when I arrived from taking our Molly to her first dance class, I sat next to him, all propped with pillows and sipping water through a straw, and flipped through the photos I’d snapped on my phone. Molly’s leotard and tutu are far from new — like all of her clothes, they’re hand-me-downs several times over. So the crotch hangs to mid-thigh and the tutu is torn and hanging low on one side. There’s a small rip in one knee of the black tights. At first glance there is nothing pathetic about this picture; she’s a happy girl, hands on hips, looking off to the side. She has the sort of hardscrabble disposition you would expect from the youngest of three. But of our children, she is the only dancer. Music moves her physically. My husband slid past this picture and then slid back and regarded it silently for a moment. I felt the wonder and grief behind his simple words: “That’s my last baby.”
And in a flash: my own times of bed confinement, postponing early labor. Cups of crushed ice and marshmallows, surer signs of pregnancy than a positive test for me. Vernix-covered little red crying faces, one after the other, lain against my chest. There was the cutting of the umbilical cord, always a bittersweet moment, giving that baby over to the world and all its variables, the concept of protection an illusion. And then there is this last cut. A “relatively pain-free procedure.” And just like that, we say goodbye to all of it, say with certainty that we are done, we are parents to these three and no more, no longer getting to rewind the tape with each newborn, to relive that particular kind of falling in love.
A low-level funk is like a low-grade fever, in that it leaves you far more uncomfortable without the dramatic cleansing blaze of a fully feverish kiln-bake. Being semi-blue lingers. My body even feels it. I don’t like mid-range. I don’t even put fans on Medium, it’s go full-blast or go off altogether. This is the having of an itch you can’t find. You chase it listlessly for the sweet small relief of scratching, but wherever you go it vanishes from your fingertips and you’re left twitchy and dissatisfied. I need a purifying burn, a rake over the coals. I think it’s mostly the silly suburban allergies complaint. New spring life brings chartreuse tender leaves but also great phosphor clouds of prickly yellow mini-stars invading all my soft and vulnerable places. I wish I could sneeze.
This piece first appeared on my blog at shareable.net.
We were moving from Texas to northern California, under economic duress. There is something about driving long distances (as opposed to flying) that makes it easier handle the change from one environment to a vastly different one. In the course of your journey you can see the land swell and flatten, observe the terrain and climate change from curving mountainous roads to vast swathes of desert, and note the commensurate architectural adaptations. These are microhabitats, with each community and household navigating a different course.
We were leaving an exurban planned community that had seemed as desolate and unwelcoming as the lunar surface. When we arrived in the house we had chosen and rented by proxy, what was immediately surprising and thrilling to me was how urban it felt. Railroad tracks were a few hundred yards away from our small one-way street, and the corner strip of businesses included a mortuary, pawn shop, donut shop, and a narrow convenience store with two small aisles stacked high with Mexican pastries and cheap wine.
My positive reaction was short-lived. Although our house had a lovely rock facade, a deep and cozy front porch, and an apple tree whose blossoms were in full flower, when we went in, our economic downturn took a shift to the visceral. The walls were cheaply paneled, the aged carpeting was a matted and mottled light brown, the appliances were vintage early-eighties, and the windows either had rotten and water-logged wooden sills or cheap metal frames.
We sat on the decrepit spiral staircase (which looked hand-built by a carpenter of dubious abilities) and snapped a family portrait. Day One. Our faces in this photo are tired and apprehensive, the kids in a weary cluster at our knees.
Your home is wherever your bed is, and that very first night, we were all tucked into clean linens in our strange, new, small and oddly shaped rooms. But in the light of day, we still saw the funky junky-ness of this new dwelling of ours. There was a moist quality to the air, and a noticeable whiff of Dogs Who Had Come Before. Where once a balcony had been, there was plywood attached with foam goo forming a new “wall.” The backyard was shabby, with one side of the privacy fence leaning at a near forty-five degree pitch.
There had been a beige luxury to the house we lived in during affluent times. The carpet was so plush, you left perfect footprints squished into its thickness as you made your way (barefoot, naturally) across the room. There was a garden tub with large corner windows inside an expansive master bathroom, quietly humming central heat and air, and appliances with a heavy luster to them. The walls and ceilings met at right angles, with no softness or crumble to the plaster and drywall. Just the crisp reliability of a brand-new home and the suburban neighborhood in which it sat–gated, landscaped, predictable.
In the new/old house, creaky as a wooden ship, you can drop a marble in the farthest interior corner, and it will take a hilariously random path through the rooms, down invisible slopes and channels, until it finally clicks to a stop in the corner that tips deepest into the earth. And there’s even a basement, which is unusual in California. There are Christmas lights swinging from dusty cords down there, and the walls smell like soil and wet concrete.
One room is too small for furniture. But it is not a closet. It HAS a closet.
We added the magic little-by-little, as we went through this transformative journey from the comforts of what we had back then, and into our new, low-income recession life. Like the marble in the corner, we slid down . . . over . . . and through until we came to a stop and stayed. And that was when we painted the walls yellow–an acid citron, like the world’s ugliest crayon, because that’s the best kind of pretty. Against that went aqua furniture, and pink fabric in great swaths over the windows that don’t quite close. Red shag rugs, lamps from thrift stores, a multicolor dollhouse we rebuilt as a family. Silk monarch butterfly ornaments hang from mirrors and door frames, and cuckoo clocks from my husband’s German childhood occupy much of the wall space.
The man who owns this house is mostly a name on an envelope I mail every month. He has a beard and his eyes twinkle when he smiles. He remembers raising his sons in this house, twenty years ago. They kept rabbits in the backyard, and chickens like we do now. We eat oranges, pears, and apples from the same trees that they harvested and turned into jams and sauces.
Wild Bill watches over everything on our block. He’s the big, bald tattoo artist across the street, and a minor celebrity in this town. He leaves gifts on our porch: a fruit-picker, a pint of leftover soup, a wagon for the kids.
When everything is rough and ragged, the logical course is to festoon it with as much multicolor madness as you can muster. At least that’s my instinct. There was an untouchable sterility to the perfection of “success,” like if you made too sudden a movement, you’d disrupt the delicate balance that held it all together. The beige walls stayed beige, all rooms were regulation size, there were no chickens anywhere nearby, and a dropped marble made a small spiral and sat, solemn and as still as a stone on the kitchen floor.
I was 5, I was small, with hair as pale as milk, and I was about to become a graffiti artist. I was in Oklahoma, playing in our tidy, treeless front yard in a bare suburban neighborhood. I could come and go like that, there wasn’t any need for supervision in this place.
I was avoiding the grass on that particular day, because though it was always mowed and edged, it was angry grass, bristly and spiky but nobly drought-resistant, standing stock upright without the courtesy to bend or fold much as you walked on it. It was one of those days that’s so sunny that everything looks as bleached as chalk. I was near the neighbors’ yard, where they had a hedge that formed a small, cool dome that was the perfect size for me to crouch inside. Without much considering, I snapped a piece of a young green branch from that hedge. It hung on with the thin brown skin of itself until my small hands could work it back and forth enough to break it free.
The long walkway to the arched porch entry of our house was as bare as bone, perfect for rubbing wet green designs onto the concrete with the jagged edge of the small broken branch. Spirals, smiling faces, the word “Love,” the only word I could write. There was a bright sharp smell as I kneeled low, the sticky feeling on my fingers, and I remember noticing all of this as I regarded my work with satisfaction. I drew small pointed hearts all around. I did this by carefully making a narrow letter V and then topping it with the outline of a person’s bottom, that’s how I remembered how to do it. But I made capital E’s wrong for the longest time. I gave them so many horizontal lines in the middle they resembled a comb or, at the least, a many-tined fork.
There was a throat-clearing my father would make when he got home from work that meant he was going to have a Bad Night. It was almost imperceptible, but to my ears it was as insistent as that monotonous hoot the television would make when practicing for an emergency, and when he walked from the driveway it was there, and his eyes saw me but didn’t see me. I’m not sure if it was the writing on the front walkway or the frantic scramble I did, saying what I needed to say to try to scamper from his sight and his anger.
My vulnerability and fear brought a kind of red-faced rage forth from him, or maybe I was just the unwitting recipient and had no part in causing it, it was hard to tell. I was as still as a rabbit when it first senses it’s being watched. It didn’t matter that I didn’t know why he was angry, but just that I knew that he was, and that I was first in line, and that the next set of events was as sure and reliable as the heavy roll of a pinball sliding back into its ready spot. It was too late to either mend or escape, and as always I knew that if it had maybe been a non-throat-clearing night, things would have gone much differently. When he came home in a good mood, it was like freedom. Sometimes there would be a trip to 7-11 to get Marathon bars for everyone, or he’d put on the Cream record, or the Janis Joplin one my mom loved so much. He played the stereo loud enough that it shook the walls. When he was cheerful, he wanted all the neighbors to feel his loud, infectious joy. He was grudgingly adored. The type of person people called a “character.”
But this was not a stereo night, and there was nowhere for me to go.
I stayed as still as possible. My father’s face was purple-red, and it vibrated. You could smell this kind of anger he had. He stuttered when he screamed, and repeated words. I felt far away from this place and submitted; I would always submit. When he would spank me, it was a full-body spanking done in rage, and it was full of other things, pulling me to a place and holding my arms back. There was only this strange satisfaction that it had started and, having started, would end.
My mother could be nearby at these times, but would not hold or protect, or even provide comfort later. I remember the thin straight-across of her mouth, and the way her gray eyes seemed colorless to me. The feeling of having no one in your corner, when you are small and the person who holds such terror for you, who throws you and silences you so completely with fury, should be contrasted by one that will see your side and take it sometimes. If your mother, perhaps, would look at you with the soft eyes of an ally, and maybe back up your explanation for things, just sometimes — just once! Just once, to look into that enraged face and say “stop.” Stop.
I didn’t know things were different in our family, but what I did know was to fear evening time and weekends. Turning on the lights made it feel a little better, but the arrival of dusk would often find me skittering under the bed. No matter what other kids said, that wasn’t where the monster was. The monster smells like Coors, and sambuca, and cigarettes. The monster is big and furious and loves you sometimes, holds you in his lap sometimes, teaches you to ride your two-wheeler on those wide treeless streets.
“O.K., now quickly look down, go ahead. Do you see that shadow? That’s the shadow of a big girl riding her bike.” I risked it, for just a moment, darting my eyes to the left and down. There were no training wheels on my purple big-kid’s bike anymore, I could see that in the shadow. I could even see the vinyl streamers hanging limply festive from the handlebars, they were there in the shadow, too. This bike, these wide quiet streets, this sliver of father I could cling to, when it wasn’t a Bad Time.
A dad’s job is to teach you how swim a few strokes in the overly chlorinated neighborhood swimming pool, while your jolly baby brother crawls and bloodies his knees on the surrounding concrete, oblivious, drool and snot from nose to chest. My father’s handlebar mustache would turn up at each end, you could barely see the twinkling smile under the broom of it. Sweetly: “That was all the way to the edge without any help, that was just like a fish, Corbyn Lee.”
But on this day, all I wanted was to escape his view. I felt raw and unpeeled on the front walk, and kept picturing the jagged stick crayon that had started this mess — where was it now? In the after-hurting, I was almost calmed by the lingering hitching sounds that signaled the real crying was over. There’s a relief in the after-hurting, and I already knew about that at the age of 5.
I had a bucket and a scrubber just the way anyone would imagine it, and I remember scrubbing the green markings off the concrete that seemed like hieroglyphs from a happier part of the afternoon. And for every day that there isn’t the throat-clearing, there’s a feeling of ecstatic relief that’s almost like love.
And then there was this follow-up, for which I have no words and feel sorrow and joy and humility and hope and everything else:
originally published in November 2011 on shareable.net
Sometime in the darkest and grayest folds of winter, we have a “false spring” here in Northern California. It usually comes sometime after the glittering artificiality of the holidays are over, when the trees are just gray slashes against a sky so bleak that it has a yellow cast. The syrup of sunlight and warmth is like a gift and I wake up full of energy, with plans for the seedlings I’ve been nurturing on the windowsills. Neighbors emerge stumbling from their front doors, eyes blinking at the return of the light, greeting each other with the surprised shouts of unwitting hermits delighting in sudden fellowship. I fall for it every time, too. I take the heavy drapes down, throw open the windows, begin to plant the spring garden, and stow the coats in the trunk in the basement.
The chickens are smarter. They still hold their necks tucked under their wings in the semi-hibernation mode they go into, eating little and laying no eggs. They slowly swivel their heads our way and regard us with a jaundiced eye, as if to say, “are you really going to do this again?” It’s long weeks after this false spring that they begin their joyful chatter and busy-ness. The groundhog’s shadow is irrelevant; the tilt of the earth an alarm set by larger forces.
We’re not close to that time, yet. Here in my town, the leaves have turned and the wind has begun to sweep that golden-red glory away into bulging bags tied tidily at the curbs. Park visits end early as we tuck our chins down into the collars of our jackets. Beds are gaining layers of comforters, more every night. Mornings hold the visible frost of our words, moistening our itchy scarves pulled up high against the cold.
We won’t get our false spring until we’ve settled into our real winter, and remembering that gives me a sick, scared feeling. I don’t readily accept the gifts winter brings, and mostly I just bear up against the darkness as best I can, usually not without massive support efforts on the part of my friends and loved ones. The crowd around me presses on strong, and sometimes I just lift my fists up to my ears and close my eyes, and let them carry me along by my elbows.
The other day I was creekside along the trail near our house. There was a fire there early this past summer, and it was alarming to see the trucks speeding to the roaring blaze to put it out. Our trail is redolent with life. Wild turkeys fear nothing, and they’ll run towards a bicycle in motion. Skunks and raccoons come out around sunset or just past, and you can see the reflection of their eyes as they wait their turn to roam the neighborhood. We all share this strip of relative wilderness: Canada geese, quail, the feral cat population, as well as the rumpled drifters who find shelter under the footbridge.
The site of the fire has become a microclimate of sorts, showing its own “false spring.” In between and around the stiff black splayed fingers of burnt branches are sprigs of fennel, blazing chartreuse and yellow. Oaks suffering the devastation of browned leaves and singed bark show their bold olive-green new growth, as if challenging the growing cold. The earth that was black and bleak now looks loamy and welcoming, in this spot. Animals crouch low in the hunt for bugs. This is an area that was scorched, where new life is making itself stubbornly apparent.
We are just barely into this dark time. False spring is so far away, and real spring an almost unfathomable part of a distant future. The light leaves–and when it does, it leaves for a long time. It stays gone until you wonder if it will ever come back, and then when it finally does, and you feel like you are warm for the first time in months and can come safely out of your hole, it goes away again. The task for me is to go back to the scene of the fire and see the small signs of life there, some small spring.
I think a lot of us who suppressed artistic pursuits for years are revisiting the possibilities now that we’ve lost our “real” jobs. Among my own circle of friends and acquaintances, I’ve seen a sales rep become a photographer, a realtor start up a home-grown theater program, and a downsized tech guru switch to consulting and focusing on his music career.
A couple weeks ago, I traveled back to New York City, the place where I nurtured my dreams as a young adult. As a teen in Long Island, I’d occasionally catch the commuter train in the early morning and spend the day in the Village, maybe take in a Woody Allen retrospective at a theater, drink coffee and smoke Camels, all without any awareness of the irony such cliches deserve. I left the area for college but moved back in my twenties, lived in a fifth-floor tenement walk-up and worked at a bookstore. I went to cafes as a pretension, sitting there and making a half-hearted attempt to write, or at least to pretend to write. “Look at me, won’t you? I’m writing in a cafe. Regard my thrift-store hipster clothing.” (I’m sorry, Hungarian Cafe near St. John the Divine, I don’t think I ever covered the rent on my chair all those hours.)
In college I majored in journalism. That was the compromise I made with my parents, who were, after all, fronting the bill for my tuition. There was one thing I was sure I could do, and that was write. In fourth grade I began announcing that I wanted to be an “author,” but despite years of trying, I couldn’t seem to translate that desire into the role of “journalist.” I wanted to write about emotions and memories. I didn’t want to chase after reality and chronicle it, I wanted to create my own, or at least poetically interpret what I saw, and I didn’t see how to do that in media.
I’m sorry now for my shortsightedness, and for the fact that I didn’t explore my options more fully. When I was asked (which I was, often, throughout my life,) “why didn’t you ever ‘do anything’ with your writing?” my pat answer was something along the lines of, “But I have. Everything I’ve done professionally and personally has benefited from it.” That’s a load of crap, and I know that now. I could turn a phrase in a thread of business emails, and express myself decently when I needed to put my best face forward. Resumes and cover letters came easily. I also wooed my fair share of lovers through my written sentiments and wordy rhapsodies.
When Facebook entered into the picture, I started to rediscover old college friends I’d been either too drunk or too careless to maintain contact with. Interestingly, many of them had become editors, were working in publishing, or were authors of books. I felt fleeting bitterness: I could have done this! Why didn’t I do this? After awhile, one or two of those friends began to quietly mentor me, and then I had a blog, and then a few more writing assignments came here and there.
I had to have the bud of a writing career lain blatantly in my lap, on the heels of professional ruin. Thank goodness for confessional blogs.
My professional experience as an independently-contracted sales rep became, ’round about 2008, an extraneous luxury for the companies I represented. If they didn’t completely change their business model to eliminate that position, at the very least the commissions dried up to nearly nothing. But now, years later, I’m sitting at a cafe around the corner from my house, writing long and hard for the few places that pay me to do so. It’s my work and I love it. And you know what? I’m noticing a lot more people writing here. It’s become difficult to score one of the good tables with an electrical outlet, now.
I think a lot of us who suppressed artistic pursuits for years are revisiting the possibilities now that we’ve lost our “real” jobs. Among my own circle of friends and acquaintances, I’ve seen a sales rep become a photographer, a realtor start up a home-grown theater program, and a downsized tech guru switch to consulting and focusing on his music career. I will never downplay the struggles of our poverty, but I greet this artistic revolution with gratitude.
So I had my short trip to New York, in order to meet with some people who have been instrumental in my fledgling writing career. I got to sit on the subway not as a bitter and unfulfilled bookstore employee, but as a writer. I got to look at those long avenues with their rivers of taxicab yellow as a (very lightly) employed “creative,” and I felt younger than I ever felt when I was a resident of that great city, several long lifetimes ago. It was so good to come full circle with those lost dreams; to walk up to the brownstone building of My. Literary. Agent! I’m not embarrassed to say I cried.
I’m a person who is prone to crushing sadness. It’s a thread that has remained constant throughout everything I’ve done and written. As cornball as it sounds–and I’m actually cringing as I write this–I take comfort in what was my first spoken word: “light.”
That said, I am overdue to honor my mentors: Robert Feinstein, Jeremy Smith, Neal Gorenflo, Lisa Belkin, Candace Walsh, Brian Doherty, and Laura Jackson among the many who’ve shown me The Light, and other unnamed benefactors who let me have my moment. I finally get to be a writer now.