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Hasty Pudding


When, several years ago, we succumbed to unavoidable financial pressure and sold our only family vehicle to help cover the rent for awhile, it was my son, Zeke, the analytical type, the scientist, who wanted to run to the window to watch—solemn, stoic—as the new owners drove away. He was about five at the time.

“Are they going to bring back our Honda Pilot?”

No, Zeke. They’re not bringing it back.

Today, he asks me things like this: “The next time we make a turkey, can I watch it cook from beginning to end? I would like to do that. I’d like to watch it no matter how long it takes. That means you’re going to have to clean the oven window, and I don’t know how you’re going to do that, because it’s dirty in between two panels. So you should research. But I want to watch that. I like to watch the changes happen to things, slowly.”

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He notices now, on the relatively rare occasions when we’re in someone’s vehicle together, that he doesn’t have time to take in his surroundings. Things pass too fast for him to observe and integrate. “The only things I can see better when I’m in a car are other cars. Instead of them just speeding by, it’s like they’ve slowed down. I guess because I’m traveling with them. So I look at zooming cars when I’m in a car, because they’re the only thing I can really see. They become slow.”

Zeke has always talked like this. He used to refer to people smoking cigarettes as “humans operating small smokestacks.” I think of him as a real-life equivalent of Charles Wallace from A Wrinkle in Time, better friends with his fifteen-year-old sister Rainer than with his peers. 

On our bike rides to school, we travel down one long boulevard we’ve come to call “weather street,” where back in late August we noted its late-summer status quo and watched, with little sister Molly, as the densely green trees and the short shadows they cast turned into the golden lens of early autumn. Our morning ride became more softly-lit and forgiving, with even small hedges and rosebushes casting long silhouettes like puddles beneath our wheels as we pedaled. Later, we took pleasure in the crunch of dry leaves underneath our tires, and avoided the carefully-made sleeping mounds at the curbs, representing hours of raking and optimism that no blustery day would carry the work away before green waste pick up.

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We saw the change as autumn gave way to the parchment scratch of winter’s branches against a colorless sky. “It always comes after a really big windstorm,” Zeke said, when we rode to school one Monday amidst streets littered with the smaller branches and limbs from a weekend of near-relentless gusts. I told him that’s when autumn’s last leaves lose their grip, to which he replied, “that’s sad, but it’s okay, I guess.”

“Sometimes you have to let go in order for the next thing to come in, right?”

“Yeah, but what if it’s not better? Like, the leaves are leaving the branches just to be crumbly dead leaves. And a gray branch with nothing on it is what’s left behind.”

“Well, sure, but that’s the order of things. And that’s why they bend with the wind, see? They’ve got time to adjust before they let go of the branch. It’s not so sudden as all that. We’ve seen the change. They haven’t even been green for weeks and weeks now.”

That’s not to say Zeke’s okay with anything and everything nature has to dish out. He’s less impressed when things happen with alarming quickness. A couple times this year, we’ve been “blessed” with a most shocking and sudden fungal display in our yard, known colloquially as “dog vomit fungus.” The fact that it appears seemingly overnight—in addition to its profoundly repulsive appearance and consistency—is deeply disturbing to The Boy Who Likes Things Slow.

Part I of the Dog Vomit Fungus that Appeared in the Nighttime:

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Part II of The Dog Vomit Fungus that Appeared in the Nighttime:

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You can hear me extolling the horrifying “virtues” of the oddly instantaneous appearance of what looks, from a distance, like wet quinoa rejected and tossed out of a pot in in the middle of the yard, but as you approach seems more like tapioca pudding, and only becomes repugnant when the incongruity hits you. Wet tapioca? Soft, fresh, cooked quinoa? In the middle of the yard, in great quantity, at seven a.m.? We approached, in an uneasy darting fashion, and because this was our second-go-‘round with this, and because and I had been told what it was by my friend Nicole, who’s an admitted fungus enthusiast, we took a few extra minutes out of our morning to chronicle its appearance. I told Zeke to fetch a stick; Molly appeared with one instead. [And yes, it dawned on me later that despite my insipid comment in the video, the grass didn’t grow through it, it grew around the grass.]

But something about the suddenness of its appearance was unnerving to our Ezekiel. I tried to rally the native scientist within, but he kept making noises about saddling up and riding as far away from that hasty pudding as fast as we could.

“Just drop the stick and leave,” he implored.

“Why, Zeke?” I was shocked he didn’t want me to poke and prod more.

“Because . . . because it might be . . . unsanitary?”

Laughter all around. “I think that’s pretty much a guarantee.”

Nervously, from Zeke: “Let’s just go.” Black screen.

That’s where the video ends. I obeyed his request, because it came from the very root of who he is. He’s a boy who likes to take things in in his own time, and I am thankful for that, because whether it came before getting rid of the car or was a result of our having gotten rid of the car, it now makes him uniquely well-suited to our lifestyle of biking and walking everywhere. We are able to see small changes—both natural and man-made—as they occur. He enjoys watching new houses go up, and will comment on the roofing paper being rolled out, the stucco getting sprayed on. He likes watching people’s garden beds get seeded, grow into plants, bear fruit.

And so we take our notes, make our observations. And nothing need be rushed. Because in the end, I’m looking for any clinging crimson leaf left on the gray branch, and the last thing I want to do is leave a pile of dog vomit fungus for the child to integrate when he’s in no way ready to handle that.

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. . . and thank you for making it possible for me to write for you!

I Am Crumbly All Over


I’m forty-freaking-four years old as I write this in the spring of 2014. And NO, I’m not surprised by that. The years didn’t “fly by,” I don’t still “feel like a teenager,” I don’t “wonder how I got this old,” and I roll my eyes when people say, “I just don’t know where all the time went.” I allow myself to feel flattered when I’m carded for alcohol, and my pat response is, “I’ve been legal to drink since before you were born, young cashier-friend,” because they are almost all in their early twenties, at least at Trader Joe’s, where I get my fancy two- to three-buck Chuck. Once, at Grocery Outlet, a slightly older woman carded me. I quizzed her as I sometimes will, do I seem under twenty-one to you? Really? At times I think it’s because of my nose piercing and penchant for dying my hair blue or pink, or affinity for glitter-covered accessories. So as she considered my question, I was looking down, fumbling through my wallet, searching for my I.D., and when I looked up, we made strong and steady eye contact. (I’m good at that, I think it’s important.) It was then that she said, “oh. Oh. Now I see it. It’s in your eyes. I can see the life you’ve lived.”

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I remember every cycle ’round the sun. There are whole epochs I’d just as soon forget, but no such luck. I do what I can to look better out of sheer vanity, not to stop the passage of time. I use the oil-cleansing method, keep my brows plucked, and treat/moisturize with some pretty-damn-potent AHAs (picture me dressed like Walter and Jesse in full hazard gear while I pour from flacon to beaker.)  I buy the medical grade goooood shit you can’t get in stores, so don’t even ask, it’s like super serious and stuff. And sure, I soften my profile photos to flatter my visage. I’ll do it for you; I’ve got apps and I’m not afraid to use ’em.

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And of course during all this silliness, I’m charged with the raising of the first of my hunnert-summat babies, one of the most blessedly gorgeous teens I’ve ever lain eyes upon, who does not seem to be suffering through any sort of awkward stage, that lucky little sumbitch, my tawny balladeer Rainer, who is built like a Barbie who mated with a fairy and who also has the personality of a poetic, dreamy, musical drama geek who loves watching science fiction TV with her dad and reading, and who cares little for make-up and artifice, and she’s watching my every move like I’m supposed to be teaching her what it means to be a woman. No! Just no, because my high school memories (I attended the infamous Northport High School in Long Island at the time of the murder with the boulder in the center of town that was spray-painted “SATIN RULES!” and shopped at the–NOT JOKING Walt Whitman Mall) are fraught with a face so awfully, oozily, bumpily textured with acne I slathered eighties-era orangepink foundation from stem to stern and held my head down, long curtain of blond hair to cover, combat boots and black coat threatening anyone to say ONE THING, JUST ONE THING. I left after eleventh grade because none of us could take it anymore. Here is Rainer. Can you stand it?

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But in real life, I don’t mind my crinkly smile lines, or as my youngest kids say, the way I look “crumbly all over.” I don’t mind my swinging boobs and “imperfect” butt and legs, the ridges that have shown up in my fingernails, etc. I DO mind the molars I’ve lost and cannot afford to replace, and if $6 or $7K extra just shows up in my lap (HAH), I CANNOT GUARANTEE I won’t run to get implants for the holes they’ve left that, when I smile widely, make me look like I did a dance with meth at some point. (Double Breaking Bad reference, go me!). But never, ever, any plastic surgery, even if millions came flying through my front door.

Molly says, “I’ll be old like you someday.” I say, “YES! Yes, you will be. And I’m not even that old. But I remember having everything feel and look soft and new and perfect. But that will change, Love, that will change. You will change, and each experience will etch itself on you. Have great experiences. Build your old woman.”

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photo credits of two above images In Her Image Photography

And then sometimes I sing to her one of my favorite Michelle Shocked songs, “When I grow up I want to be an old woman . . . when I grow up I want to be an old woman . . . oh, an old, old, old, old, old, old, old, an old WOMAN. Then I think I’m gonna find myself an old man . . . then I think I’m gonna marry myself that old man . . . an old, an old, an old, an old, a really old man. We’re gonna have a hundred and twenty babies! A hundred and five, ten, fifteen, twenty babies. Uh huh, that’s what I said a hundred and twenty babies. We’ll raise ’em on tiger’s milk and green bananas . . . mangoes and coconuts and watermelon . . . we’re gonna give ’em that watermelon when they starts yellin’. Here’s what they’ll yell [then I imitate the harmonica solo.] In the summer we’ll sit in a field and watch the sun melt . . . in the winter we’ll sit by a fire and watch the moon freeze . . . me my old man and a hundred and twenty babies. Me my old man and a hundred and twenty babies.”

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And one of the sexiest things about my husband is the way his eyes crinkle with smile lines when I truly amuse or please him (not so easy!) And the gray that shows in his beard, and how I get to be there for each new one that appears. And the other thing is knowing that long after those hundred and twenty babies finally leave our banana patch, I’ll be walking down to the end with that skinny fella, “dreaming of the pleasures I’m gonna have watching your hairline recede my vain darlin’ . . . watching your hair and clouds and stars, I’m rocking away in a sleeping car . . . ”

Ahhhh, yes. I don’t mind growing old, because it means I get to do it with dang ol’ Larry Joe Hightower, Junior. The man I married with our wedding song the realistic and thus, incredibly romantic “Old College Try,” by the Mountain Goats. “But I will walk down to the end, with you . . . if you will come all the way down with me.” And when he dies, I’mma do the crappy pappy dance on his grave while I swig xx moonshine from a bottle in my tall boots and petticoat. I’ll cackle, “he finally GONE, goldurnit, YEEHAW!” And I’ll kick the dirt and spit. “See ya down in hell, darlin’! Save a spot for me baby!”

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. . . and thank you for making it possible for me to write for you!

I’ll Take Your Halloween and Raise You a Thanksgiving


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I’m grateful for garden gnomes, cuckoo clocks, climbing trees with gnarled branches, and moss. For coffee and chai, nutmeg and cinnamon. For citron yellow,  magenta, map water blue, chartreuse, and a bright orange shag rug in the living room. For oatmeal, bananas, green smoothies, my husband’s Magic Meals, and enchiladas. For kids finding fennel and chewing the stems all day like Huck Finn. For lanterns hanging in trees. For all the libraries I have known and loved, which became my hiding spots and my fantasy corners and the places where I built myself. For Dolly Parton and Kenny Rogers singing “Islands in the Stream.” I’m thankful for vintage lamps. For the freshly-brushed teeth. I’m thankful for tall glasses of cold water, and Mason jars of whiskey sipped with friends on the porch in the nighttime. I’m thankful for the pleasure of walking aimlessly. For thrift store velvet. For striped socks, picture books about witches, and for snow-capped mountains I can see from certain vantage points in my neighborhood. For the remarkable cities I have called home. For fireflies. For my chickens: Mary, Rhoda, Phyllis, Chamomile, Clover, and Hilda. For stacks of books on the nightstand. For Jitterbug Perfume and Even Cowgirls Get the Blues. For low-watt incandescent bulbs. For patches on old embroidered denim. For star-printed fabric and pictures of the moon in all its phases. And I’m thankful for our wall heater that’s like a fireplace and a gathering spot for our family when we hear its click-whoosh. We meet there. I’m so thankful for them–my four, my loves. And our heat, and our home, which is strung with lights and filled with magic.

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My Husband Had a Vasectomy and All I Got Was This Lousy T-Shirt


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My husband is the introverted type, so out of respect for his privacy, I’d like to talk to you about his vasectomy.

We put it off longer than we should have. I guess the ideal time might have been between baby no. 2 and baby no. 3, but we’re super happy with the one that slid underneath the closing door, all Indiana Jones-style: “Waaaaiiiiit you have one moooore!” But at some point you have to just make the arbitrary decision that you’re done meeting new offspring.

So we finally made the call that it was time to turn the spigot off. An informal survey revealed that getting a vasectomy was the birth control method of choice among the vast majority of older parents in our circle. It’s minimally-invasive, complications are rare, and (who knew?) our insurance covered it. Seemed as though the only prerequisite was a few days’ freedom to convalesce on the couch and several bags of frozen peas.

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We described the procedure to our children, the youngest of whom is five, figuring they’d naturally wonder what was going to make Daddy walk around the house in a half-crouch in a Vicodin-created fugue state. We spent some time describing the vas deferens, and the special seeds that help Mama’s egg become a baby, carefully playing up the benefits (no additional sibling rivalry!) and downplaying the discomfort (it won’t hurt more than getting a shot).

Yet still, the very next time I brought my youngest, Molly (who’s five) out in public, she announced to any and all within earshot: “My daddy’s getting his penis cut off.” I protested with nervous giggles the first few times, but after awhile took great satisfaction in merely raising my eyebrows and glaring silently.

In honor of the procedure, my husband’s coworkers served two types of cheese balls with carrots and celery sticks, artfully arranged. Oh: and mixed nuts.

I kind of assumed I’d be on The Pill until menopause rendered my womb a windswept desert nurturing nothing but a bleached rock outcropping and occasional tumbleweed, but lo! Verdant and lavishly fertile, and already relieved of the threat of childbearing. It’s a medical miracle.

I’d like to chalk up the following unsuspected side effect to the array of painkillers my husband was on when he came home from the surgery: when I arrived from taking our Molly to her first dance class, I sat next to him, all propped with pillows and sipping water through a straw, and flipped through the photos I’d snapped on my phone. Molly’s leotard and tutu are far from new — like all of her clothes, they’re hand-me-downs several times over. So the crotch hangs to mid-thigh and the tutu is torn and hanging low on one side. There’s a small rip in one knee of the black tights. At first glance there is nothing pathetic about this picture; she’s a happy girl, hands on hips, looking off to the side. She has the sort of hardscrabble disposition you would expect from the youngest of three. But of our children, she is the only dancer. Music moves her physically. My husband slid past this picture and then slid back and regarded it silently for a moment. I felt the wonder and grief behind his simple words: “That’s my last baby.”

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And in a flash: my own times of bed confinement, postponing early labor. Cups of crushed ice and marshmallows, surer signs of pregnancy than a positive test for me. Vernix-covered little red crying faces, one after the other, lain against my chest. There was the cutting of the umbilical cord, always a bittersweet moment, giving that baby over to the world and all its variables, the concept of protection an illusion. And then there is this last cut. A “relatively pain-free procedure.” And just like that, we say goodbye to all of it, say with certainty that we are done, we are parents to these three and no more, no longer getting to rewind the tape with each newborn, to relive that particular kind of falling in love.

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epilogue:

The things we have LOST, oh the things we’ve lost. Big, important things. But you know what we STILL have? The most interesting accessory that was ever made for a Barbie doll: the dog turd that was made to be pooped out, scooped up by Barbie’s fancy dog-poop-picker-upper, and then fed to Barbie’s coprophagia-having kinkster dog to go through the process again. And on and on. The same little Tic-Tac sized/shaped little doodoo-dad that Molly pushed as far up her wee nostril as she could a couple years ago, and Larry, parenting alone, was panicking trying to squeeze her sinus and get it out, pull it out with various tiny tools, etc., until I texted, “do the cartoon pepper thing!” And sure enough, she sniffed a good toot of it, sneezed, and BLAST! The tiny plastic turd flew through the air, and now we find it everywhere, all the time, and can’t bear to throw it away.

Lessons From an Abandoned Lot


(previously published on shareable.net)

Today, my kids–ages 11, 4, and 3–are playing in the abandoned lot again. They call it “Nature Center.”  I am sitting on the cracked concrete foundation, looking at a patch of peeling vinyl flooring that must have been someone’s kitchen long ago.  There are many such lots around our town, rectangular plots of wilderness where foreclosed houses have been torn down if they didn’t merit their extensive repairs. Others are left undeveloped when the builders ran out of money; sometimes there is an RV parked onsite with a person living in it, and maybe there are some sawhorses and “caution” tape standing sentry over some weeds and a postponed vision.

We walked by this abandoned lot many times, day after day, and I never really noticed it. I think I took note when the “lot for sale” sign came down after awhile, but it was just a patch of weeds to me, and nothing more. We were always on our way somewhere—towing the wagon to the library or the café, or to do our marketing and come home. I never saw anything worth stopping for, and it was only after many requests that I finally reneged and started pulling the wagon onto the concrete pad, and reconciling myself to this being our destination after all. And it’s here where today my children have found the following treasures: a putty knife, the spokes of an office chair base–wheels intact, the frayed remnants of what must have once been a rope swing, and a roll of what looks to me like roofing paper.

They’re building their own structure, using these and other treasures to support the igloo-like walls.  They’ve dug out a special muddy patch alongside it for their “bug visitors.” It’s surprising, when you crawl low and peer inside their fort, how big it is, how cozy and sturdy. They’ve been working on it and adding to it for a month or two now, and the grass and weeds are now growing thickly over the domed roof. The roots are knitting the structure together, and it seems stronger that way.

The official and sanctioned playground is so close we can see it in the distance, but they will always reject it in favor of Nature Center. I try to lay low when we’re here; my services are not needed. I’m only around to do treasure triage, and I reject sharp metal things and glass whiskey bottles. When we’re at the park, they are constantly checking in with me and demanding my participation. “Watch me go down the slide,” asked of me endless times, until I’m smiling through gritted teeth. And then there are the swings, every lazy parent’s curse. Teaching your kid how to pump themselves back and forth means freedom. But here at this lot, I’m an awkward interloper. I’ve been experimenting with walking up the block and back into our house, coming out to rejoin them after a half hour or so. They hardly look up and rarely notice me, or that I was gone at all.

The last time we visited, they found that what they thought was merely a wall of ivy vines was actually concealing a part of what might have been a barn or a shed of sorts. This led to frenzied spelunking, vine-swinging, and the triumphant finding of various trophies: a flashlight, a broken toy, some planks of wood. Eventually, they began work on  the creation of a satellite fort adjacent to the core igloo.

I love how irrelevant I am here. When we leave, they’ve always managed to get so deeply dirty, infinitely more so than the controlled pleasures of the sand play area at the park leave them. There is a stubborn ring of grime around each nail bed that resists all scrubbing, and it smells like earth.

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